View this post on Instagram

Eelco. Portrait of @roesmeister shot on a large format #speedgraphic camera loaded with a collodion wet plate. Eelco and I were doing a portrait shoot-out at @hansdekort wet plate workshop in Amsterdam. Hans is a master of his trade and well known for his intimate collodion portraits and was enthusiastically sharing the tricks of this craft. What surprised me most was the intense focus that’s required yet comes automatically. Something that I hope to bring into my future work. Some of the best spent euros in a while! #workshop #collodion #wetplate #wetplatecollodion #speedgraphic #petzval #analog #hansdekort

A post shared by Pim Geerts (@pim.geerts) on Feb 26, 2019 at 4:01pm PST

View this post on Instagram

In conversation with the first visitor, Willem Alexander, King of the Netherlands. At the opening of the @zilverencamera 2018 exhibition @museumhilversum where four tintypes from the project “My Generation” are being shown. Photo by @frankvanbeekfoto #zilcam2018 #koningwillemalexander #HdK✖️📷

A post shared by 𝙷𝚊𝚗𝚜 𝚍𝚎 𝙺𝚘𝚛𝚝 (@hansdekort) on Feb 1, 2019 at 10:51pm PST

View this post on Instagram

#Selfie by the King of the Netherlands with the winners of the @zilverencamera 2018 #zilcam2018 #koningwillemalexander

A post shared by 𝙷𝚊𝚗𝚜 𝚍𝚎 𝙺𝚘𝚛𝚝 (@hansdekort) on Feb 1, 2019 at 11:59am PST

View this post on Instagram

Very proud and honoured to be the winner of the Zilveren Camera category: Art, Culture and Entertainment (series) #zilcam2018 . The Zilveren Camera will be awarded by the king of the Netherlands on the 1st of February. . . 4 Portraits from "My Generation Dutch Photographers" with an analogue education #HdK✖️📷 Hans de Kort (1963) captured more than a hundred photographers on wet plates. All of them his peers who started with analogue photography. De Kort has returned to the origins of photography, wet plates. With this technique he goes back to the handicraft process, a logical continuation to the polaroid, which he has a preference for. With his 16”x20” technical camera he illuminates metal plates which are prepared with light sensitive collodion. He makes one or two plates from each portrait. ‘It’s fascinating to have everything under control from beginning to end; from mixing the chemicals to varnishing the plates. The unusually long exposure times requires absolute attention. This does not only apply to the photographer but also to the sitter. After the illumination of their plate the portrayed colleagues enter the dark room with de Kort, then they reminice about stories from the past. This creates a bond and is also what makes this series so special. The audience experiences this intimacy between the photographers in front of and behind the camera. The composition is as simple as possible, without any distractions. The focus is on the eyes. This requires great concentration and creativity. This way a fascinating game of light and dark is created. Hereby the portraits gain an unprecedented and impressive impact. Each portrait is unique, straight forward without any retouch. One of a Kind. . #zilverencamera #museumhilversum #portraitphotography #zilverencamera2018 #portretfotografie #portretfotograaf

A post shared by 𝙷𝚊𝚗𝚜 𝚍𝚎 𝙺𝚘𝚛𝚝 (@hansdekort) on Jan 23, 2019 at 3:41am PST